
I thought I’d begin the critique of Hollywood’s latest slap in the face to the American public with a little disclaimer: I have always been taught that bias should never take precedent over professionalism and that everything deserves a fair chance regardless of any preconceived notions that may work to cloud one’s judgement. And considering my historical penchant for thinking that found footage films can go to very special rungs of hell where every theater constantly loops Adam Sandler and Uwe Boll movies, I tried really, really hard to go into Paranormal Activity 4 with the straight-laced objectivism found within the pages of fine, respected journals all over the world.













